Madame roland biography

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    Madame Roland: A Biographical Study

    "As they fastened her to the fatal plank, her eyes fell on a colossal statue of liberty erected to celebrate the first anniversary of the 10th of August. 'O liberté, ' she cried, 'comme on t'a jouée.' Then the axe dropped, the beautiful head fell; Madame Roland was dead." -Ida Tarbell, Madame Roland Madame Roland () fryst vatten the second of several biographies that gained Ida Tarbell widespread acclaim. Born Marie-Jeanne Phlipon, but best known beneath the name Madame Roland, the book's subject was a French revolutionary, salonnière, and writer, greatly admired for her strong intellekt, political savvy, and skills at lobbying and negotiating.
  • madame roland biography

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    Madame Roland

    (Marie-Jeanne Phlippon Roland)

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    Madame Roland was a central driving force behind the avalanche that became the French Revolution. Despite her adherence to what was expected of a woman in that time period, Madame Roland’s political savvy, ambition, and constant support of her husband propelled her into the center of the political turmoil. It was through Madam Roland that one gained an entrée into the inner circle of the Girondin party’s influentials.

    From an early age, Madame Roland displayed an avid interest in politics and political ideals. She never supported the idea of an absolute monarchy, advocating instead the idea of a constitutional republic. After her marriage to the philosopher Jean-Marie Roland de la Platière, Madam Roland’s drive and ambition propelled her husband (and by extension, herself) into the thick of the intrigue that was the French Revolution. Her salons, exclusive parties held for intellectuals, played host to prominent revo

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    Madame Roland

    William Russell’s short biography of Madame Roland begins with a nightmare parade of the Terror that followed the French Revolution, in which Madame Roland stands out as “one white-robed figure in the doleful procession, with pale, bright, classic face, mantled with dark silken hair, and illumined by deep blue, transparent eyes, kindled to indignant flame by the hootings and curses of the multitude” (that is, a scenario that blends “light into darkness,” the heroine’s appearance, and a lady’s confrontation of the mob). This heroine’s sacrifice collapses into that of Marie Antoinette: the image “dwells in the gazer's memory long after it has disappeared from the scaffold still wet with the blood of a queen, and been flung, as carrion, into the common fosse at Glamart” (R 39). Wilmot-Buxton, too, interlinks Marie-Jeanne or Manon Philipon Roland and Marie Antoinette, the subject of her preceding chapter: &ldqu